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“The Kamuy dining table fits not only into a home environment, but also commercial or hospitality spaces. The soft, rounded rectangular table top is shaped by the delicately connected curves and looks svelte when viewed from different angles. For tables above 2100mm, the placement (width) of the beautifully formed legs can be adjusted to suit different needs.
W 1600/1800/2100 x D 950 x H 740 mm
W 2400 x D 1000 x H 740 mm
Born in Yamanashi Prefecture in 1956. Naoto Fukasawa has worked at Seiko Epson and ID Two (now IDEO San Francisco), founding and heading up IDEO’s Tokyo office. On 2003 Fukasawa went independent and established NAOTO FUKASAWA DESIGN. Fukasawa has established a reputation for his quietly powerful designs and philosophies embodying human sentiment. He has collaborated with numerous international companies and brands. His designs span a wide variety of fields, from home accessories and precision electronic equipment to mobility, furniture, interior spaces and architecture. Fukasawa is the recipient of numerous design awards, he has been accorded the title of Royal Designer for Industry (Royal Society of Arts) and received the Isamu Noguchi Award in 2018. He is a professor at Tama Art University. Since 2012, he is also the curator of The Japan Folk Crafts Museum.
CondeHouse
CondeHouse has been crafting fine timber furniture in Asahikawa, Hokkaido since 1968, drawing on the forests of northern Japan to make pieces designed to last for generations. Reliability, durability and sustainability sit at the heart of the brand - traditional techniques meet modern technology, FSC- and PEFC-certified timber and non-toxic finishes, with tree-planting programs giving back to Hokkaido.
From dining chairs and extension tables to lounge seating and sideboards, CondeHouse brings a calm, considered Japanese sensibility to residential, hospitality and workplace interiors. Explore the collection at APATO, the authorised Australian home of Japanese designer furniture, and enquire for finishes, lead times and trade pricing.
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